Sunday, June 30, 2013
Firenze
Wednesday, June 26, 2013
Head for the Hills
Monday, June 24, 2013
Troopin'
Saturday, June 22, 2013
The Official End of School and the Official Beginning of Summer
Tuesday, June 18, 2013
Heat and History
Sunday, June 16, 2013
Harleys, Swagger, and Nuns
Friday, June 14, 2013
VIP's
Morning March and Messy Questions
Wednesday, June 12, 2013
Jesuits, Jesuit Education, and Why I Resent Communism
Tuesday, June 11, 2013
Capuchins and Cappuccinos

Today we continued the baroque explorations with a slight detour: the Capuchin Cemetery. This cemetery and museum, built by Capuchin brothers (founded 1528), showed the austerity and fervor that marked this reformed group of Franciscans that helped the Jesuits lead the Catholic Reform in the 15-1700’s. In the 1600’s a new wave of mortality hit Europe as population outstripped resources (Malthus, anyone?) and the plague hit again for the last time in 1640. Groups like the Capuchins responded with the motif of Memento Mori, among other things. Memento Mori means remember death. In this particular cemetery, the friars buried their dead in a mixture of quicklime and earth from Jerusalem. When the bones were clean, someone (no one knows exactly who) arranged the bones into decorations. As Fr. Maher says, “How do you solve the problem of too small a cemetery? Dig up the bones and make tasteful decorations.” The first mention of the composition of the crypt came from the Marquis de Sade’s visit in 1775. The first of the little chapels has an inscription: “What you are now we used to be, what we are now you will be.” Some Franciscans ate dinner with a skull as a centerpiece for the table – this took it a bit farther. The bones of about 3,700 people are buried or incorporated into the walls here. The designs, made out of jaws, ribs, vertebrae, etc. formed surprisingly delicate traceries on the ceilings and created arches over paintings and altars. I didn’t find the crypt grotesque at all, although it was certainly thought-provoking. Even death became a beautiful thing, and the bones usually treated with such fear became a sort of mockery of death itself. The afterlife in Christ makes earthly remains simply material; bodies are just bodies, and we all die. It was also interesting to think that God knew each and every one of the bones in that building, and could have reassembled each and every dear body if He chose. It was also an unusual way to experience the beauty in the design of the human body. I could just imagine a brother sorting through piles of bones, seeing the possible shapes, gathering up the pieces he needed like lego blocks. Totally unafraid of death. I really liked it.
The accompanying museum also held some interesting pieces. They had a display of St. Padre Pio, who I need to research more. He was an incredible confessor and mystic (20 hours a day spent in hearing confessions) and JPII didn’t think much of him until he saw Pio’s works, after he became pope. Pio was canonized in 1999, so he is a very modern saint. They had his briefcase and a few other things on display.
They also had a couple baby dolls used a devotionals. This, being Fr’s area of expertise, promised a good lecture. Dolls of the baby Jesus or Mary were made by women for women to help focus on the humanity of the infant Jesus. When a nun joined a convent, female friends gave her a doll as a symbolic spouse and child, both found in the person of Jesus. Around Christmas women would hold their dolls as a devotion. Also interesting was a painting of Joseph with the infant Jesus. In the early church Joseph is always portrayed as an old man asleep in the hay away from the nativity because the dogma of the virgin birth was not nailed down entirely, and they didn’t want peasants to think that a virile, 22-year old Joseph had anything to do with the baby. By the 1600’s the dogma was established to the point that to suggest otherwise would mean burning at the stake, so Joseph could be portrayed with the baby. Through time Joseph continued to get younger, until he was eventually used as an anti-communist symbol as a young, muscular man with baby Jesus in one hand and an axe in the other with Mary looking on adoringly. Fr. has written a book on Joseph, it’s on amazon. I’m intrigued.
The rest of the day we spent poking our noses into Baroque churches by Bernini and Borromini (talk about the possibilities for confusion…). Luckily Bernini tends to like sensual emotion and lots of color, while Borromini is a bit more academic and intellectual in all white, so we can sorta tell the two contemporaries apart. Beautiful sculpture and movement in stone.
Tonight we have an appointment with the Jesuit archives to see some of St. Gonzaga’s letters and some other goodies from the archives. Fr. says all the Jesuits laughed at the Dan Brown movie and the idea that the Vatican archives are full of technology; they all knew that IF there was any technology, it would have to be the coffee machine. Which always breaks.
Speaking of coffee: cappuccinos are named after Capuchins. The capuchins wear a brown habit with a white piece (I blank on the exact name of the garment) and the coffee with milk looks the same. Fr. took us for cappuccinos this morning and told me about trying to order one in the US. He told the barista, a guy with dreds, that the frothy, thin stuff he gave him was NOT a cappuccino. The waiter responded, “I’m just doing what Seattle tells me to do.” Fr. was not impressed. “That’s what the Germans said about the Nazis. Think for yourself.” The very liberal young man was left sputtering. Don’t ever mess with Fr.’s coffee, or his cutting wit.
Sunday, June 9, 2013
Maherisms
The Future of a History Major
Saturday, June 8, 2013
Blur




Wednesday, June 5, 2013
Weekend: Attack of the Catfish and Venerable Colleges
Saturday, June 1, 2013
Layers


Next we visited St. John Lateran, the oldest public church ever built. I kept wondering who St. John Lateran was, but really it’s called Church of Christ the Savior and to St. John the Baptist and St. John the Apostle. The Lateran part comes from the family that Constantine confiscated property from to build the church. One of 3 Constantinian basilicas, it’s the only one left in Rome (St. Peter’s got torn down and rebuilt and the other is in Jerusalem). It was incredible to think of this building as the mother of all church architecture throughout the world. It’s also where the Pope technically sits as the bishop of Rome – we saw THE chair. The baptistery, a separate building, is where every true Roman is baptized. Baptisteries were traditionally outside the church building because without baptism you weren’t a member and the church building was for members. A beautiful mosaic covered the apse with gold and bright colors, and the floor is intricately decorated with cosmatesque marble. The cloister was especially cool, with twisted columns reminiscent of the Book of Kells. The Irish had an impact here too.
On the way to these buildings we walked right past the Colosseum – it’s so strange to walk by one of the largest and most famous buildings of Western Culture and not even bat an eye, not take pictures, just accept that we know what it contains and are ready to explore elsewhere. Still pretty cool. We also saw the ruins of a gladiatorial school next to the Colosseum. It’s in the same neighborhood as St. Clemente, which Nero torched to clear out the rabble and make room for the Colosseum. He blamed the Christians, of whom there were a lot among the poor living in the bad neighborhood. I wonder what he would have thought of Pope Sixtus V’s plan to cut the Colosseum in half to make straight roads between churches and city centers. Sixtus died before his plan could be completed, but could you imagine driving through two halves of the Colosseum?
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